Artist of the Month: Magna Carda loves to love you

Magna Carda was a very fitting Artist of the Month for February, a month generally associated with love. The band has a thing for love songs and managed to slip several into the new album.

“We’ve always made, like literally, every song we make is a cool love song and we had to stop ourselves,” producer Chris Beale said with a laugh last month. 

“We just want everything to be about love,” singer Megan “Megz” Tillman agreed. “I mean, it’s naturally one of the easiest things to write about for some reason and talk about. And I think that’s just in human nature, so we have to kind of stop ourselves. In my dream world I would be a singer, but I can’t sing, so I feel like naturally I’m more inclined to neo, mellow kind of stuff.”

Much love to Magna Carda for sharing some time with us this month.

More on Magna Carda

 Megan Tillman and Chris Beale, right, the founding members of Magna Carda pose for a portrait outside of Empire Control Room in Austin, Texas, on Thursday, Jan. 28, 2015. Rodolfo Gonzalez/ American-Statesman
Megan Tillman and Chris Beale, right, the founding members of Magna Carda pose for a portrait outside of Empire Control Room in Austin, Texas, on Thursday, Jan. 28, 2015. Rodolfo Gonzalez/ American-Statesman

Watch: Artist of the month, Magna Carda plays “Everybody Too”

Austin360’s February Artist of the Month, Magna Carda dropped by the Austin American-Statesman studio last week. They brought chill vibes with a stripped down version of “Everybody Too,” a laid-back, jazzy gem from their new album “CirQlation” that dropped last week.

More on Magna Carda

 Megan Tillman and Chris Beale, right, the founding members of Magna Carda pose for a portrait outside of Empire Control Room in Austin, Texas, on Thursday, Jan. 28, 2015. Rodolfo Gonzalez/ American-Statesman
Megan Tillman and Chris Beale, right, the founding members of Magna Carda pose for a portrait outside of Empire Control Room in Austin, Texas, on Thursday, Jan. 28, 2015. Rodolfo Gonzalez/ American-Statesman

Austin360 Artist of the Month check-in: Harvest Thieves radio, in-store and more

Harvest Thieves at Hole In the Wall on December 3, 2015. Suzanne Cordeiro for American-Statesman.
Harvest Thieves at Hole In the Wall on December 3, 2015. Suzanne Cordeiro for American-Statesman.

It’s time for one last weekly check-in with our inaugural Austin360 Artist of the Month, Harvest Thieves. The five-piece alt-country band closes January with a blizzard of activity to promote their debut album “Rival.”

Wednesday evening, they’ll play live on the air at 8 p.m. in Studio 1A at KUTX, which coincidentally also selected Harvest Thieves as its January artist of the month. (They’re also featured on the station’s weekly “This Song” podcast with host Elizabeth McQueen, sharing the episode with Leon Bridges.) On Thursday, the group performs an 8:30 p.m. show at Cactus Cafe with guests the Wheelwrights.

Friday, local music patron organization Black Fret holds its members-only 2016 kickoff gala at the Parish, with music from Harvest Thieves as well as Sweet Spirit and Walker Lukens. Saturday, the band helps Bryce Clifford & Brother Superior celebrate their EP’s release at Rainey Street bar the Blackheart. And Sunday, you can pick up a copy of “Rival” at Waterloo Records when the group plays a 5 p.m. free in-store performance.

We’ll announce our February Austin360 Artist of the Month next week. For now, here’s one more look at our Austin360 studio video of Harvest Thieves’s song “The Least of These”:

 

 

 

Austin360 Artist of the Month check-in: Harvest Thieves outtakes

12.26.15 Harvest Thieves performs at The Continental Club. Suzanne Cordeiro for American-Statesman
Harvest Thieves at the Continental Club, Dec. 26, 2015. Photo by Suzanne Cordeiro for American-Statesman

We spent a fair bit of time with the members of Harvest Thieves in preparing for our inaugural Austin360 Artist of the Month feature story. The interviews provided far more than that piece could accommodate, so here’s a half-dozen outtakes that may shed a little more light on the band, interspersed with a few Instagram videos shot over the course of the past year.

1. Frontman Cory Reinisch, on when he discovered Whiskeytown, the Old 97’s and other alternative-country bands in the late 1990s:

“I just became a sponge for everything that I could find with people who were writing songs like this or forming bands like this. And I heard influences. You could tell these guys listened to rock ‘n’ roll. I mean, Ryan Adams listened to Black Flag growing up. When I first heard Black Flag I was like, it’s awesome. I can understand why these guys are listening to this stuff.

“And here I am, growing up listening to Willie and Waylon and my first concert was Johnny Bush and I’m playing all these old-timey records on my old radio station in my hometown. It was like, somehow these things are converging here. And not only was it ‘Do I like this’ — it was, ‘That’s who I AM.’ It just resonated with me. And, all throughout college and to this day, I’ve always been drawn to those songwriters who are on the fringes.”

2. On when he moved to Austin from Dallas in 2007 to concentrate on playing music:

“I thought when I got out of college I should go get a good job in Dallas. Like, ‘You’re armed with two degrees, this is what you’re supposed to do. But as each day passed by, I was like, ‘I don’t care about this. I, I don’t want to work in a public relations firm. I don’t want to be a suit representing some clients and I don’t want to have to shave every day.

“So when I turned 27, I got my heart broken and as sometimes life will do, it’ll dictate change. And I said, ‘I’m making a break, and I’m moving to Austin. It’s a place I want to live, it’s a place I want to start playing music. Win, lose or draw, that’s what I’m going to do.’ I wish I had gotten into it earlier; I’m probably a little late to the game. But I think at the end of the day if a person’s doing something that makes them happy, then it really doesn’t matter how they got there.”

3. Band members Dustin Meyer (bass), Annah Fisette (keyboards, mandolin), Coby Tate (guitar) and Reinisch, talking with each other about musicianship:

Meyer (addressing Fisette): “I remember we had one conversation when you were like, ‘Would it be cool if I brought a mandolin in and just tried it out? And I was like, ‘Oh my god, yes! Bring a mandolin in! It’s amazing! You can play that?’”

Fisette: “I grew up playing violin in middle school and high school, so it was kind of easy to pick up the mandolin.”

Tate: “It’s not so easy to go the opposite way, though. Because I play mandolin too, and after I played mandolin for a couple years, I was like, I bet I could shred on the violin now. And I was over at a buddy’s house and he had one, and he was like, ‘Give me that.’ I was horrible. It was the most horrible thing ever!”

Reinisch: “You sounded like a dying goose. (Laughter all around) But Coby is the best guitar player hands down I’ve ever played with in my entire life. And he’s kind of nontraditional in certain ways. But Annah really opened us up vocally with the harmonies, and she’s a fantastic keys player, and can even take some leads when Coby’s not playing lead. With these two, it’s opened up a lot more possibilities musically, and just rounded out the sound that I don’t think Dustin and I have ever had. They’re two valuable weapons.”

4. New drummer Wes Cargal, about his work with Jonathan Terrell’s rock band Not in the Face:

“We had some really good momentum, and we’re writing stuff still that I feel like is going to be really good. We’re still going to be active, but Jonathan’s got a great opportunity with the solo stuff. That’s one of the reasons I was attracted to this band so much, because the songwriting’s so good.”

5. Reinisch on his tendency to pack lots of words into the songs on the band’s new album, “Rival”:

“I try not to repeat the same chorus. That’s kind of by design. I’m very unapologetically a big Dylan fan, so years and years of listening to him I think somehow has weaseled into my brain when I’m doing some of this stuff. But I treat the chorus as another opportunity to further the story along. I understand the purpose of the chorus is to kind of use a nice little summation to capture the theme of the song. But when you can use it to further the story along, I think that’s more important.

“Another thing that might be counterintuitive to how much I like to write lyrics, and as wordy as I get, is that I want to keep a song between three and a half minutes and four minutes at most. I think we only have one song that’s approaching the four-minute mark on this album. But three and a half minutes is where I like to be. If you can’t get your point across and be catchy in that time — you know, we’re not a jam band.”

6. On the album track “Your Damn Vanity,” which includes some local perspective in its observations of “new condos, urban sprawl and high rises blocking out the sky / Austin ain’t quite what she used to be, but then neither are you and I”:

“It’s kind of a juxtaposition between the way a relationship changed and the backdrop to all that with the changing city as well. When you have the panic and the anxiety and the personal upheaval of ending a relationship, and you turn around and look, and all this stuff is changing, and you don’t quite recognize where you are.

“I wouldn’t call it a larger social statement, but it is a commentary on it. I think at the root, that song’s about narcissism. And it was probably the root problem in that relationship, for everyone involved. And then with the city, when I first moved here, I always thought Austin was kind of a small town masquerading as a big city. And to me it just feels like a big city masquerading as a bigger city now. It’s kind of undergoing a sea change.

“Some of it I don’t think is absolutely positive. But the good thing is that I think if you meet a stranger in Austin, it’s still easy to talk to people. People go out of their way to be friendly to you. Just kind of running around in the circles and the pockets and places that I do, there’s a community there. I think that still exists.”

Austin360 Artist of the Month check-in: Harvest Thieves record release

Harvest Thieves at Scoot Inn, Jan. 8, 2016. Photo by Peter Blackstock
Harvest Thieves at Scoot Inn, Jan. 8, 2016. Photo by Peter Blackstock

Last week we introduced our new Austin360 Artist of the Month series with a feature story on Harvest Thieves, whose new album “Rival” came out Jan. 8. The band celebrated with a record-release party at Scoot Inn that for a while filled the venue’s indoor room to capacity, with a line for admission forming in the outdoor courtyard.

Here’s a short video featuring portions of two songs from the band’s set: “Lancelot’s Blade,” the closing track on “Rival,” and “Little Feet,” a song from the band’s 2013 debut EP that was written by Austin songwriter Mike Schoenfeld.

The band is back in action later this month with shows Jan. 28 at Cactus Cafe and Jan. 30 at the Blackheart. Also check out the acoustic video for the album track “The Least of These” captured last week at the American-Statesman studio.

Harvest Thieves at Scoot Inn Jan. 8, 2016. Photo by Peter Blackstock
Harvest Thieves at Scoot Inn Jan. 8, 2016. Photo by Peter Blackstock

Austin360 On The Record: Harvest Thieves, Lew Card

OUT THIS WEEK

HarvestThievesAlbumCoverHarvest Thieves, “Rival.” From our first Austin360 Artist of the Month feature in today’s American-Statesman: “‘Rival’ heralds Harvest Thieves’ arrival as a contemporary heir to the hard-twang sounds pioneered two decades ago by the likes of the Old 97’s and the Jayhawks. Their sound reflects what can happen when a bunch of small-town Texas country folks immerse themselves in Austin’s vibrant indie music scene.” Read the full story at mystatesman.com, and check out our Austin360 live video for the album track “The Least of These” above. Release show tonight (Jan. 8) at Scoot Inn.

Lew Card, “Follow Me Down” (Monomer). The third album from the Austin-via-Tennessee singer-songwriter traverses a broad range of Americana terrain, from the old-timey acoustic folk of the opening “Walkin’ Shoes Blues” from the easygoing ramble of “Do My Own Thing” to the funkier topical tune “Condo Town Rag.” Brass accents from the Tijuana Trainwreck Horns help to broaded Card’s palette beyond his country-folk base. Playing Feb. 11 at Buzz Mill.

COMING SOON

JAN. 14: Emily Wolfe, “Atta Blues” single, release show Jan. 14 at Stubb’s.

JAN. 15: Randy Rogers Band, “Nothing Shines Like Neon” (Tommy Jackson/Thirty Tigers), in-store Jan. 18 at Waterloo Records.

JAN. 15: Reed Turner, “Native Tongue” EP, release show Jan. 15 at Stubb’s.

JAN. 16: Matt the Electrician with Little Brave, “Mountains”/“20/20” 7-inch, release show Feb. 5 at North Door.

JAN. 22: Will T. Massey, “The Weathering,” release show Jan. 24 at Strange Brew.

FEB. 19: Carrie Rodriguez + the Sacred Hearts, “Lola” (Luz/Thirty Tigers), release show Feb. 13 at Texas Union Theater.

FEB. 26: Bill Carter, “Innocent Victims & Evil Companions” (Forty Below), playing Jan. 12 at Saxon Pub.

FEB. 26: Kathryn Legendre, “Don’t Give a Damn” EP, release show Feb. 26 at White Horse.

APRIL: Michael Fracasso, “Here Come the Savages.”

EARLY 2016: Calliope Musicals, “Time Owes You Nothing.”

EARLY 2016: A Giant Dog, title TBA (Merge).

EARLY 2016: White Denim, title TBA.

SPRING 2016: Hayes Carll, title TBA.

Are you an Austin-area act with a new record coming out? Let us know at musicsource@statesman.com.